Most of you are already aware, but if not, today is the last day that the original Red River location of Emo’s will be open. While there is the shiny new Emo’s open on Riverside, it’s just not the same, and never will be. The end of an era, that brings many of us a bit of sadness.

When I first heard of the pending closure, I didn’t really think about it much. Maybe it was my built in defense mechanism developed from mourning the loss of another landmark venue in which I spent countless hours in musical bliss, Liberty Lunch. Just a couple of weeks ago, while driving down 6th street, it began to settle in how much I really am going to miss this dirty piss hole of a music venue. The shitty sound system, the rude staff, the smelly urine trough, the uneven floor, all to be missed immensely.  While I’ve had plenty of opportunity to say goodbye in person, I decided not to attend any of the final shows, opting for holding on to the years and years of memories that I share with many of you reading this.

Let me give you a brief history of my relationship with Emo’s. Before there was an Emo’s Austin, yes I was roaming downtown Austin before it existed, we experienced our music in a few venues around town. You could catch any number of local bands at The Black Cat and drink $1 Pabst and eat free hotdogs from the hotdog buffet. Sounds awesome and awful at the same time. Of course many of the touring acts of substance played Liberty Lunch, The Back Room, and City Coliseum. The Jelly Club and Jar Bar offered smaller touring acts a stage, and you could find Gibby Haynes, in special form, there on many nights asking you to buy him a drink whether you knew him or not. All great venues in their own right, but then Emo’s opened it’s doors and it felt like something really cool was happening there. The fact that it was free to get in was a bonus, and there was music, and everyone seemed to be going there. It was the place to go and as the years went by and new venues opened, Emo’s always maintained that “something” that has made it one of Austin’s legendary venues.

I’ve spent some time trying to conjure up as many special memories that I could, and to be quite honest, over 19 years of beer drinking, live music, sweating, moshing, and sharing moments with friends, the memories are blurred. A few stand out, and as I cannot contest to their accuracy, these are the details that stick in my head.

David Yow’s Parents: Jesus Lizard shows were legendary back in the day, and I’m pretty sure that I saw more than 1 at Emos, but this one in particular stands out. It was difficult to not notice the older couple in the crowd as we waited for Jesus Lizard to hit the stage. Striking up a conversation with this couple, I come to learn that they were David Yow’s parents. And if I remember correctly, this was to be the first time that they had attended any of his shows. Now I can’t imagine being Yow’s parents, but it might make sense that you would avoid witnessing your son’s performance on stage which often involved nudity. Yow put on his usual performance as his parents looked on, as the crowd surged and fed off of the intense, spastic, psychotic energy of Yow and the Jesus Lizard.

Britt Daniel Predicts The Future: My sister was High School classmates with Britt back in our small town of Temple, Tx and we both have followed his career since the days of Skellington (man I wish I still had those cassettes). Being fairly pregnant with her first child, my sister was looking for any opportunity to see Spoon before the live changing baby event was to happen. A SXSW day party at Emos provided that opportunity. While conversing with Daniel, I inquired as to who the band was playing on the stage at the time. “Death Cab for Cutie” mentioned. He went on to say that they were really good and were probably going to be pretty big. Guess he was right.

Pissing: Back when Emo’s first opened it became quite the place to hang out. So much so, that on any given weekend night the place would be completely packed. I ran with a pretty rowdy crowd, many whom have gone on to become adults that are stretch away from the people that I would have believed them to grow to be. So, one night we are in Emo’s standing at the bar, you know that spot where the pole is inside bar, and it’s packed. The line for the bathroom is ridiculous. My friend needs to piss. Not wanting to wait in line, and fearing he would lose his spot at the bar…enough said.

James Iha: After an incredibly memorable performance by the Smashing Pumpkins at the long gone South Park Meadows venue, on their Siamese Dream tour, we ended up at Emo’s. Why we thought going to Emo’s after an intense evening of moshing, fungi consumption, many beers, and some streaking through the exiting traffic at the venue, was a good idea, I’m not sure. As I’m standing at the bar, not far from that pole, I notice that Smashing Pumpkin guitarist James Iha is standing next to me. I turn to Iha to let me know how much I enjoyed the show and he shakes my hand. Granted, I’m a pretty small guy, but I couldn’t help notice how tiny his hand was when I shook it, and proceeded to ask him “how do you rock so hard with such small hands”..I didn’t receive an answer.

Craig Finn: I’ve never really been a fan of The Hold Steady, but I continued to give them the opportunity to win me over, as many of my friends absolutely love the band. It was a hot sweaty night on the outside stage at Emo’s and thanks to the opening act Illinois, I was able to watch the band perform from the side of the stage. Needless to say I gained a small bit of respect for the band as I watched them work the sold-out crowd into a frenzy. One of those friends who was a die-hard fan was at the show, and the opportunity for him to meet Finn arose. As my friend proceeded to tell Finn how much he appreciated the music, and what a fan he had been for years, Finn, focused on Blackberry, informed him that he needed to leave and he didn’t have time to talk to him. A simple “thanks” would have sufficed. Recently gained respect…out the door and in the crapper.

I could bore you with more stories and shows that stick out in my mind, but this is lengthy enough. Emo’s Red River will be missed. The pre-blog years and the blog years when photographer Valerie Fremin was thrown to the wolves to get the photos for this site, and did so in great fashion. Crappy lighting, rude crowds, boiling temperatures, she got in there and did it..and it was fun.

I put together a few photos from those years that represents what Emos was to me…

Read more

What do you get when you mix Deer Tick, Los Lobos, The Black Lips, Dead Confederate, and Six Finger Satellite? Diamond Rugs of course..duh.

This band of wayward songsters will have a full length out sometime in Spring of 2012, and for a little Christmas cheer whilst we wait, Mr McCauley sings for us “Christmas In A Chinese Restaurant”. You can bet that they full-length will be quite different than this track..

Live & Reel :: Diamond Rugs – “Christmas in a Chinese Restaurant” from Live & Reel @ Reel Recording on Vimeo.

It’s no secret to anyone paying attention to the Austin music scene that Black Books created a steady stir of buzz about themselves when they quietly released their debut EP An Introduction To.. about a year ago. So..now that we’ve been introduced, when might we hear some new material and most importantly when will have full length from the band? That question has been on the minds of many and the answers are coming…

The band recently set loose a brand new track from their upcoming full-length titled “Out The Door” on their Bandcamp page just two days ago. And if this is any indication of what to expect from the pending release, which we hope to see early in 2012, we are all in for a treat. I’m pretty sure that we are…

The new track comes just a few days after a cover of The Cardigans “Love Fool” showed up on the SYFFAL (Shut Your Fucking Face And Listen) site. Love the name by the way.

And I bring you both..The beautiful “Out The Door” single and the fun, dreamy cover “Lovefool”..

MP3> Black Books ‘Out The Door’

MP3> Black Books ‘Lovefool’ (Cardigans Cover)

Fun Fun Fun 2011 is still fresh in many’s minds, but the Fun crew is already plotting and planning their next smash hit festival for 2012. Mark your calendars for Nov 2, 3, and 4 in 2012 for the next weekend of Fun Fun Fun happening at the expanded grounds Auditorium Shores.

A limited number of “earlybird” ticket are to be released soon, and those who purchased tickets last year will be notified via email when they become available…sit tight.

Keep an eye on the Fun Fun Fun Fest site for updates and register to receive updates.

And watch this little diddy of a tribute to FFF Fest 2011

Fun Fun Fun Fest 2011 from Guerilla Suit on Vimeo.

You ever have those records, cds, or tapes that somehow end up in your collection, but you aren’t really sure how they might have gotten there? Those few gems that you developed an intimate relationship with, but it always was an unspoken, somewhat secret relationship. The Sea and Cake’s 1997 release The Fawn is one of those records for me.

Like reconnecting with an old friend, it’s nice to see that the band is still producing it’s unique style of jazz influenced post-rock, with a solid fan base still intact.

The band recently released it’s 9th studio album and show little signs of losing that creative edge that has propelled them since the early 90′s.

The Sea and Cake @ Mohawk 12/8 show 8 p.m.

The Sea and Cake – Lyric by hautamaeki

Being one of my top picks for bands to see at this past Fun Fun Fun Fest, I have to admit that I was a bit disappointed that M83‘s set took place during the daylight hours. Some things are just meant to be enjoyed in the cover of darkness with fancy lights.

Well, the chance to see M83 again here in Austin will present itself once again next May at Stubb’s. Pre-sale tickets are available now, believe it or not, and I’m willing to wager that this one will sell out.

Full updated tour dates and ticket info HERE.

And, if you haven’t check out the band’s 2011 release Hurry Up We’re Dreaming you are missing out on what is certainly going to be a frequenter on year end lists.

Deer Tick hooked me with their solemnly beautiful 2010 release Black Dirt Sessions and continue to capture my attention with the raucous, raw, and rowdy follow up Divine Providence. Their recent show here in Austin took me back to time when I first caught a little band called Wilco on the A.M. tour, feeling as I had just witnessed something that will become great in minds of many for years to come.

The band released the clean version of the “Main Street” video last week, but if you know me, I’d rather wait for the dirty one to post…

And for you John McCauley fans, keep an eye out for another project of his called Diamond Rugs featuring members of Dead Confederate, Black Lips, and Los Lobos. Sounds pretty promising.

Former Mighty Lemon Drops guitarist and songwriter turned producer/engineer David Newton, has resurfaced as a player once again with his latest outfit David Newton & Thee Might Angels and just released the Paint The Town EP.

I have to admit that my interest in some of the new music that is coming out these days has been fading in favor of revisiting some of the older stuff that occupied my time. The Mighty Lemon Drops were definitely a favorite of mine for awhile until they disbanded in 1992. Happy Head, World Without End, and Laughter all deserve a little revisit or visit if you haven’t done so yet.

Before you do that, check out David Newton & Thee Mighty Angels title track from the Paint The Town EP.

MP3> David Newton & Thee Mighty Angels ‘Paint The Town’

Speaking of festival favs, The Antlers secured a spot with me as one of my favorite bands of current. They pulled off one of the best performances at this year’s ACL Festival despite an early, early time slot on one of the main stages. That, and they were some of the nicest guys.

A little late on board with these guys, just discovering the beautifully heart-wrenching Hospice earlier this year, but better late than never as they say. This year’s follow up to that album Hospice is about to find a same year EP following in it’s wake titled (together) which is set for release Nov 22nd on Frenchkiss Records. If the track “Parentheses (PVT remix) is any indication, The Antlers are having a damn good year.

You’ll find guest appearances on the EP from Neon Indian, Bear In Heaven, and Nicole Atkins

MP3> The Antlers ‘Parentheses (PVT Remix)’

Just over a week after catching this intriguing Japanese trio Boris, weave their mystical sound of multitudes of styles and genres at Fun Fun Fun Fest, the band releases the second track from their upcoming release aptly titled New Album. “Flare” follows the first single released which was titled “Spoon” and can be found on New Album released on limited edition vinyl and CD at independent retailers on Record Store Day: Black Friday Nov 25th and worldwide on December 6th.

Still trying to wrap my head around this stuff, but it’s fun for sure.

MP3> Boris ‘Flare’

Austin’s Fun Fun Fun Fest 2011 edition has come and gone, and while the dust has settled (literally), a look back at what has become one of Austin’s hottest festivals showcasing scores of indie bands sprawling genres that appeal to audiences as diverse as the festival’s lineup.

Relocating Fun Fun Fun Fest from the friendly confines of Waterloo Park to a much larger venue Auditorium Shores, was met by little skepticism by some of us who have grown to love the comfort and convenience of the smaller setup. A setup that gave us relief from the larger festivals that aren’t as quite as forgiving when trying to experience as much as you can at a festival with the ease of accessibility. Would FFF Fest still be able to maintain that feel that we’ve come to love so much about the event? Would the grown spurt be handled well enough technically and operationally that the quality of the fest not be compromised? And the dust? Most of us dealt with it years ago at ACL Festival and the thought of repeating the experience weighed heavy.

I should begin by stating that my approach to the festival experience has changed quite a bit over the past few years. Being that I really enjoy experiencing my favorite bands and live music in general in smaller venues, the idea of standing in a field in mid day watching a band run through a set that in some situations doesn’t replicate their club performance in many ways, just doesn’t appeal to me much. My approach to festivals is catch the handful of bands that I really do want to see and hope it translates well enough, and spend the rest of the time trying to experience other artists that might not be of extreme interest to me, but have built themselves a certain reputation or “buzz”. That, and catching up with peoples, and enjoying some beverages and the occasional tasty food offerings. Tasty food offerings a definite must at a festival and Fun Fun Fun Fest probably had the best selection of food that I have experienced at a festival.

I was only able to attend the last two days of the event, and as I entered the wind swept compound of Auditorium Shores, the dust was almost enough for me to consider my even staying for too long. The constant grit in my beverage, and the idea of trying to eat any food in the dust storm, played heavy on my mind, but the pending performance by M83 outweighed any decision to leave.

Throughout the course of the afternoon few bands achieved holding my attention for very long. The middle of the afternoon presented two, of which I was hoping to gain more interest in, tUnE-YaRdS and Ra Ra Riot failed to change any previous opinion that have on the recorded material. I know..gasp!

The pleasant surprise of the day, not really knowing much about the band was The Joy Formidable. I believe that there have been some comparisons to a local trio fronted by an axe wielding blonde front-woman, and understandable to a degree, but the energy, stage presence, and full band sound was impressive for such an early set.

M83 provided a great sounding set covering a fine selection of tracks from the band’s most recent release Hurry Up We’re Dreaming, but the band’s sound and visual performance would have benefited from a later set time after sunset.

Girls continue to impress as they blossom into a band that embraces the challenge of the larger stage with a sound that has evolved from quaint, quirky, cute jangly band from California into a full sounding rock band, incorporating a little psych with loud guitars.

This year my interest in the half-pipe and BMX ramp was a bit more than in the past, and it was a nice change of pace for shooting photography than the crowded photo pits where photo assigned wristbands at times sported nothing more than an iPhone for shooting. It’s great to see more interest by other media sources in the local fest, but the organization and security of the photo areas was a bit inconsistent.

In the interest of keeping this fairly short…

Sunday bands that failed to move my interest into to the plus category. Mates of State and We Were Promised Jetpacks. Always heard great things, but maybe on a smaller stage?

Kudos to Ted Leo for working through an almost non-existent voice and delivering his always infectious, high energy, sets of post-punk from one of today’s hardest working in the business.

Cannibal Corpse…that’s right. The opportunity to see something that I probably wouldn’t have otherwise, and what a weird, humorous experience. Not to offend anyone, but wow. And that guy must  pay thousands to his chiropractor to keep that neck in shape.

Consider me a new fan of Boris and once more impressed with the progress of Blonde Redhead in regards to their live show.

Sure, the dust was an incredibly unpleasant unfortunate part of the event. The reported exclusion of many of the local media photographers from the last two acts on every stage seems a bit of a slap in the face of the locals that have been supporting the festival since it’s infancy, and hopefully will be revisited next year.

The food was amazing, the lineup continues to grow and bring bigger acts, and the feel of the park still maintained it’s comfort while providing pockets of diversity that allows the attendee to experience something completely different in every corner of the park.

Now what are the reported numbers and facts about FFF Fest 2011? Just released:

Check out the rest of our photos by Loren Root and myself…

Quite honestly, I’m not that familiar with much of Lykke Li’s music, but “Little Bit” from the 2008 Youth Novels recording has seen some serious spin time around my parts. Maybe because of the lyric “and for you I keep my legs apart, and forget about my tainted heart”? I can’t help it, I’m a guy. You have to admit, she is pretty sexy as well. I’ve been giving the music some serious consideration as well. I’m not that shallow. Curiosity sparked, so this young lady is on my list of artist’s to check out at this year’s Fun Fun Fun Fest.

Lykke Li plays the Orange Stage Sat 11.5 @ 7:25

I had a wordy, descriptive post planned for recommending Murder City Devils as a must see at Fun Fun Fun Fest 2011, then I came across this video from their 2007 performance..Let it speak for itself.

A rare opportunity to see this great band.

Murder City Devils play the Black Stage Friday 11/4 @ 7:20 p.m.

The real true heroes of rock-n-roll never really disappear, and Guided By Voices are the perfect example of that. Six years after the members laid Guided By Voices to rest, the original members reunite, tour, and tool away on some new recorded material. Bypassing the traditional studio setting the band has recorded 21 new tracks in living rooms, basements, and garages, to be released in album form in early 2012. Let’s Go Eat Factory will be prefaced by the release of three 7″ singles, the first of which, titled The Unsinkable Fats Domino / We Won’t Apologize For The Human Race to be released November 22nd on Matador.

Sometimes things are just too good to really disappear forever…

Listen to “Doughnut For A Snowman”..

Guided By Voices – Doughnut For A Snowman by FIRE RECORDS